Recorders
Sound Devices 833 and MixPre-6 II
12 tracks recorded on one of the most modern and powerful recorders. Its many modules (EQ, compressor, Mix Assist, noise suppression…) make live mixing possible.
Sound engineer
Paris · London · French Basque Country
Sound recordist for drama, documentary, commercials, news reports and live video.
Dialogue editing and audio clean-up. Foley, ADR and voice-over recording.
Stereo programmes such as podcasts and commercials.
I started out passionate about audio post-production and its artistic impact on a film, and soon discovered how well it complements production sound. On set I found a balance between technical rigour and the human side of the job: working with crews, discovering new places and events, and the everyday challenges of location work.
Over the years I have built up an extensive, high-end sound kit, designed around exactly how I work, which also means I am ready for any shoot at short notice.
Based in Paris, I also work in the French Basque Country (Bayonne, Biarritz) and regularly in London.
They trusted me · Production companies and media
Commercial clients

Twist · L'attrait du risque
Arte · EcoMedia

Gaspard G · European interviews
Intello

J'ai décidé d'appeler un coach en charisme…
Oh Gamin

Qui sera la nouvelle voix de l'After ? · Episode 4
RMC BFM Ads

Arte Regards · Heurts and tensions dans les villes
Arte · Tambour Films

Croque Monsieur · Podcast
Louie Média

Gaspard G · Deep fake
Intello · Enfants terribles

Devine qui est fan de quel pilote ?!
MVS

Punk un jour, punk toujours ?
nb studios

Kerchack · Season 2
Unfold Production

24 h au Moyen Âge
Doigby

Schau in meine Welt! · Lucie
Tambour Films · EcoMedia

Schau in meine Welt! · Yrel
Kurhause Production · ARD

Twist · La vengeance : libération ou fardeau ?
Arte · subject: Deborah De Robertis

Danielle rencontre un coach en séduction

Witz
by Martine Doyen
Production sound mixer, dialogue co-editor, assistant sound editor

Hamsters
by Martine Doyen
Sound editor, mixer

Vera
by Caroline Chomienne
Assistant sound editor

Cendres
by David Le Meur
Production sound mixer

L'Arbre à Café · Alchimie
by Brice Martinat
Production sound mixer, mixer

Segmentation
by Vincent Delouzilliere
Production sound mixer, mixer

En loge · Web série
by Louis Haffreingue
Production sound mixer, mixer
PrivateLes Troubadours célestes
by Hervine de Boodt
Production sound mixer, sound editor, mixer
Password: TC
PrivateLes Racines sauvages
by Nicolas Millot
Production sound mixer, sound editor, mixer
Password: lrs2022

Or blanc
by Isabelle Mayor
Sound assistant
PrivateCatherine
by Hervine de Boodt
Production sound mixer, sound editor, mixer
Password: Armele

La Vie de jeune fille
by Pauline Loquès
Production sound mixer, sound editor

Celle que je suis
by Leïla Bakhchi
Production sound mixer, mixer

Phobee · Pilote de série
by Richard Michel and Derka
Production sound mixer, sound editor, mixer

Nickel Chrome
by Jérôme Larentri
Production sound mixer, sound editor, mixer

No Signal
by Vladimir Vinograd and Max Laulom
Production sound mixer

Capucine
by Louis Delva
Boom operator, episodes 13, 24, 25, 41, 44 and 83

Sam
by Hugo Hamdad
Production sound mixer, mixer

La Tentacule
by Jean de Loriol
Production sound mixer

Jott · London Invasion
by Eliott Fournier
Production sound mixer
Sound Devices 833 and MixPre-6 II
12 tracks recorded on one of the most modern and powerful recorders. Its many modules (EQ, compressor, Mix Assist, noise suppression…) make live mixing possible.
Sennheiser MKH 8000 range
Interchangeable shotgun, hypercardioid and cardioid capsules, to suit the location and the storytelling.
Essential for documentary
A directional mic paired with a figure-of-eight mic for stereo ambiences, with adjustable width in the mix and perfect mono compatibility.
Wisycom transmitters and receivers
Several actors or contributors wired at once, with the best lavalier mics on the market (DPA 6060).
For the crew
The director, script supervisor or client listen to the sound live, wirelessly, to follow the dialogue and approve takes in real time.
Wisycom transmitter on the boom
No cable between the boom and the recorder: the boom operator moves freely, ideal for moving shots and tight sets.
5 Deity TC-1 boxes
Precise sync between sound and cameras, to save time in the edit and avoid drift, even with several cameras.
















Studio
Voice-over, Foley, ADR and mixing. Pro Tools HD and iZotope RX, Adam A7X monitors in an LCR setup to prepare a surround mix.
Book a sessionContact
Available for shoots in Paris, the French Basque Country, London and beyond.